This is an old revision of this page, as edited by Greier (talk | contribs) at 20:42, 28 November 2006 (rv. cacat as per WP:Ignore. What`s next??? Măturători clan, Lăcătuşi clan, Strângători de fier vechi clan???). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 20:42, 28 November 2006 by Greier (talk | contribs) (rv. cacat as per WP:Ignore. What`s next??? Măturători clan, Lăcătuşi clan, Strângători de fier vechi clan???)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)Lăutari are traditional musicians performing traditional Romanian music. Lăutari generally live in the countryside and are, to some degree, peasants. Most lăutari are, due to historical factors, Roma people. As performers, they are usually loosely organized into a group known as a taraf, which often consists largely of the males of an extended family. (There are female lăutari, mostly vocalists, but they are far outnumbered by the men.) Each taraf is led by a primaş, a primary soloist.
The name lăutar comes from the Romanian word "lăută", meaning lute. Other terms used to designate traditional musicians in Romania are scripcar, plopar or cobzar.
The music of the lăutari establishes the structure of the elaborate Romanian peasant weddings, as well as providing entertainment (not only music, but magic tricks, stories, bear training, etc.) during the less eventful parts of the ritual. The lăutari also function as guides through the wedding rituals and moderate any conflicts that may arise during what can be a long, alcohol-fueled party. Over a period of nearly 48 hours, this can be very physically strenuous.
Following custom almost certainly dating back at least to the Middle Ages, most lăutari rapidly spend the fees from these wedding ceremonies on extended banquets for their friends and families over the days immediately following the wedding.
Since the early nineteenth century, and especially in the days before sound recording, lăutari kept alive various genres of Romanian music that might otherwise have been lost.
Instruments often played by lăutari were, or are:
- violin
- Stroh violin
- contra violin
- upright bass
- cobza (A lute/ud-like instrument)
- taragot, or later the clarinet
- tambal
- brass instruments
and a little later in history,
- the accordion
They also use other traditional Romanian instruments and pseudo-intruments.
References
- Speranţa Rădulescu and Adrian Solomon's liner notes for the album "Outlaws of Yore" by Taraful Haiducilor.
See also
- Music of Romania
- Roma music
- Klezmorim (Jewish lăutari-like musicians)
External links
- An interview in English with Speranţa Rădulescu, the ethnomusicologist who "discovered" many famous contemporary lăutari: - Part 1 and Part 2
- A page on the University of North Carolina's site, with some valuable links
- A British review of The Alan Lomax Collection; World Library of Folk and Primitive Music. Vol XVII, dedicated to Romanian Gypsy music
- Alexandra Diaconu, Pe urmele lautarilor: Etnomuzicologul Speranta Radulescu, un cercetator printre tarafuri ("Last of the lăutari: Ethnomusicologist Speranta Radulescu, a seeker of tarafs") in Evenimentul Zilei 3 July 2005, a Romanian-language article about Speranţa Rădulescu
- Garth Cartwright, Nicolae Neacsu: Romanian Gypsy violinist who conquered the west - An obituary of famous lăutar Nicolae Neacşu, The Guardian, 16 September 2002
- Lăutarii Cum Mai Cântă! - music of Lautari (on commercial site Lost Trails)
- A blog about old and new lăutari-opinions and reviews