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Angelique Rockas

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Angelique Rockas
Angelique Rockas as MedeaAngelique Rockas in the role of Medea
EducationUniversity of the Witwatersrand, University of Cape Town
Occupation(s)Actress: stage and film, theatre practitioner and founder of Internationalist Theatre
Years active1978–present
Rockas as Miss Julie, and Garry Cooper as Jean in Strindberg's Miss Julie, Internationalist Theatre

Angelique Rockas (born in Boksburg, South Africa) is an actress, producer and activist, most notable for introducing London to its first multi-racial and multi-national theatre productions in the 1980s. Rockas founded Internationalist Theatre in the UK with patron Athol Fugard. The theater featured multi-racial casts in classical plays, breaking racial barriers that were once accepted norms for theatrical performances..


Early life

Rockas was born and raised in Boksburg, South Africa to Greek parents who had emigrated from Greece with hopes of finding a better life. She had three siblings, followed Orthodox Christian traditions, and was taught to honor her Greek cultural heritage. She received her early education at St Dominic's Catholic School for Girls, Boksburg, and later earned a BA honours degree in English literature with a major in philosophy at the University of the Witwatersrand. After earning her degree, Rockas went on to complete an acting course at the Drama School of the University of Cape Town under the direction of Robert Mohr.

A young activist, Rockas appeared on the June 1970 front page of the Star with a group of debutantes raising funds for Saheti School, a Greek school located in Germiston, South Africa. She also participated in a 25 March Greek War of Independence Poetry Celebration with George Bizos. Bizos nicknamed her “l’enfant terrible” for her resistance to the status quo, and became her role model leading up to her founding of the Internationalist Theatre.

Her activities as an anti-apartheid and feminist activist in “the then underdeveloped and extremely conservative” South Africa eventually motivated her move to the UK. While residing in North London, she worked for Theatro Technis, a Greek Cypriot theatre company that focused on sociopolitical issues affecting Greek Cypriots. She was also a participant in promoting Greek tragedies and comedies to London audiences.

Acting career

In London, Rockas began acting under the direction of George Eugeniou at Theatro Technis where she participated in Greek classical productions.

Rockas played Io in a production of Prometheus Bound. She also performed under the name of Angeliki in dual language productions (Greek/English) based on improvisations about issues that touched the Greek Cypriot community, and the tragedy of the Turkish invasion of Cyprus, Attilas '74. The plays included Dowry with Two White Doves, Afrodite Unbound, A Revolutionary Nicknamed Roosevelt, Ethnikos Aravonas. . In 1982, she played the lead role in the stage play Medea by Euripides, directed by George Eugeniou at Theatro Technis : "dangerous" and "fiercely agile" were the press reactions... In 1981 Rockas portrayed the concentration camp victim Emma in the Argentinian political drama The Camp (1967 play) by Griselda Gambaro . Reviewed by Spare Rib her performance as Emma " is electric ".the BBC Latin American Service commented on how she "masterfully incarnates the difficult role of Emma...the artist humiliated and mutilated by repression.". In 1983 Rockas played Miriam in In the Bar of a Tokyo Hotel at the New End Theatre London . The performance was described as 'spellbinding'. In 1984 Rockas challenged casting clichés by playing Strindberg`s Miss Julie as a short ethnic actress. One critic commented that past productions had eluded "the huge dimensions of character" that Rockas brought to her portrayal. She appeared as the Nurse in The F and H Play at the Traverse Theatre in Edinburgh. .

Rockas performed Lady Macbeth in Shakespeare's Macbeth at the Tramshed Woolwich .

With her own company Internationalist Theatre Rockas performed Carmen in The Balcony, , Yvette in Brecht`s Mother Courage and Her Children and Tatiana in Gorky`s Enemies.

Film and television

On film, Rockas has appeared in secondary roles: the Maintenance Woman in Peter Hyams's Outland, Henrietta in The Witches directed by Nicolas Roeg, and as Nereida in Oh Babylon! directed by Costas Ferris.

In Greece she has played the lead role, Ms Ortiki in Thodoros Maragos's television series Emmones Idees with Vangelis Mourikis as Socratis.

New Theatre

In November 1980, Rockas set up the performance of 'Tis Pity She's a Whore by John Ford "it is something of a triumph. Naked passion is as raw under a three piece suit as draped in Renaissance brocades" and in which she played the lead part of Annabella. She financed the production "distinguished ..by its energy and confidence"and enlisted the then unknown Declan Donnellan and Nick Ormerod to direct and design the play to be performed at London's Half Moon Theatre and Theatre Space." which is not large,it is quite the reverse..But the stage space, or lack of it, proved what an excellent performance this is.. New Theatre has come up with a most impressive production ".

Internationalist Theatre

Main article: Internationalist Theatre
Rockas as Miriam, In the Bar of a Tokyo Hotel

In April 1981, Rockas founded Internationalist Theatre to create a multi-racial and multi-national theatre company for actors living in London of any racial or national background, of any accent, performing drama classics as well as contemporary works not especially written for multi-racial and multi-national casts. It was first announced on 9 April 1981 in the Theatre News, page (2), by the editor of The Stage, describing the company's formation "to assert a multi-racial drama policy", with their performance of the revival of The Balcony by Jean Genet.

Internationalist Theatre staged productions by dramatists including Pirandello, Genet, and Tennessee Williams who belong to "the continental, non-realistic, symbolically orientated drama of this century (20th) and..proved most uncongenial to the tunnel visioned repertoire builders" of British theatre of that period.

Archives

References

  1. Dirk de Villiers (July 1983). Angelique Rockas founded Internationalst Theatre all races and nationalities. South African Digest. p. 66 – via google.com. {{cite book}}: |work= ignored (help)
  2. Documents Athol Fugard in British Library ,"Angelique Rockas Archives", "British Library".
  3. "The Stage Second show by Genet multi-racial". British Newspaper Archive. 9 April 1981. Retrieved 14 September 2019.
  4. Rosalind Carne (28 July 1982). "LIOLA". Financial Times.
  5. Malcom Hay (7 May 1982). "Mother Courage review pg.69". Time Out. No. 611.
  6. ^ "Angelique Rockas: Strong, Bold and Unafraid". Greek Reporter Europe. 21 May 2012. Retrieved 17 October 2018.
  7. Heather Walker, ed. (10 August 2011). "Angelique Rockas: bold theatre pioneer". The South African.
  8. University of Stellenbosch. "Robert Mohr" – via esat.sun.ac.za.
  9. Little Theatre, Univ of Cape Town (1976). "Programme of Die Effek van Gamma Strale directed by Robert Mohr, Reza De Wet in cast". Die Effek van Gamma Strale – via Internet Archive.
  10. "Debutantes for SAHETI". The Star. 5 June 1970 – via Internet Archive.
  11. "BBC World Service Interview Archive:George Bizos". 29 July 2003 – via BBC World Service.
  12. "Angelique Rockas: bold theatre pioneer". The South African. 10 August 2011. Retrieved 18 October 2018.
  13. Evangelos Kordakis. "Interview with Angelique Rockas". hellenism.net.
  14. Petsalas, Anastassios (2008). "Angelique Rockas a Theatreo Technis Prometheus". Etudes Helleniques Vol 16 Issue 2-page 107.
  15. "Theatro, Technis, London, Prometheus, Bound, Aeschyllus, Time Out" – via Internet Archive.
  16. "Angelique Rockas/Angeliki Rockas a Theatro Technis". APGRD CLassics Centre Univ of Oxford.
  17. Michael Caccoyiannis. "Michael Caccoyiannis documentary Attilas '74: The Rape of Cyprus". Documentary about the Turkish Invasion of Cyprus and subsequent illegal occupation of Northern Cyprus – via Vimeo.
  18. "Brochure Celebrating 25th Anniversary of Theatro Technis". Theatro Technis. 1982 – via Internet Archive.
  19. "Songs sung at Ethnikos Aravonas, Theatro, Technis" – via YouTube.
  20. Christina Aresti (21 August 1980). "Angeliki Rockas: Anagnorisi tou Polipleurou Talentou tis". Parakiaki Haravgi – via Internet Archive.
  21. http://archive.is/XLGso Ned Chaillet, The Times
  22. http://archive.fo/kqz0G Rosemary Say, The Sunday Telegraph
  23. name="APGRD 1982">"Medea (1982)". APGRD. 1 January 1982. Retrieved 19 October 2018.
  24. http://www.isni.org/isni/0000000463543280 Angelique Rockas The Camp
  25. "The Camp Spare Rib  : Viewer". JISC Journal Archives. Retrieved 14 September 2019.
  26. Ann Morey (30 October 1981). "El Campo". BBC Latin American Service.
  27. 'El Campo' in Vogue Mexico Carlos Louis Emmerich,"Angelique Rockas: Una actirz multi-plicada", "Vogue Mexico & Latin America", July 1992. Retrieved on 2019-02-05
  28. http://archive.is/bRAkt
  29. Dirk de Villers (May 1983). "Angelique`s Spellbinding Performance". The Star – via Internet Archive.
  30. http://archive.is/8G2nv
  31. Joyce McMillan (1 September 1988). The Traverse Theatre story 1963-1988. Methuen Drama Performing Arts. p. 154. Retrieved 5 February 2019.
  32. "Macbeth". Lady Macbeth. 1978 – via Internet Archive.
  33. Glypt (2018). "Tramshed History". Glypt – via glypt.co.uk.
  34. John Leech (16 July 1981). "The Balcony". Where to Go.
  35. Noah Piou (2017). "Digital Theatermaker Profile II: Jean Genet". Theatre Makers Dartmouth College – via dartmouth.edu.
  36. "The Witches". Rotten Tomatoes. 17 October 2018. Retrieved 19 October 2018.
  37. Riazzoli, M. (2016). Cronologia del Cinema - Tomo 2 1961-1990. Cronologia del cinema (in Spanish). Youcanprint. p. 600. ISBN 978-88-926-2007-0. Retrieved 18 October 2018.
  38. "Angelique Rockas film roles". BFI – via bfi.org.uk.
  39. "Greek TV debut for Angelique". Greek Review. September 1989 – via Internet Archive.
  40. "Greek TV Emmones Idees". Emmones Idees. October 1989 – via youtube.com.
  41. "Screenshot British Newspaper Archives THE STAGE review of New Theatre Tis Pity". The Stage. September 1980 – via britishnewspaperarchive.co.uk.
  42. Marsaili Cameron (November 1980). "Tis Pity She`s A Whore". Gay News.
  43. "Evening Standard reference to `Tis Pity". `Tis Pity She`s a Whore. March 2012 – via standard.co.uk.
  44. Jeannie Somers (November 1980). "Tis Pity She`s a Whore". Australasian Express.
  45. Ann Morey (1981). "BBC Latin American The Camp Multi Racial And Multi National". Griselda Gambaro The Camp – via Internet Archive.
  46. Ann Morey (26 October 1981). "BBC Latin American The Camp Multi Racial And Multi National". BBC Latin American Service page 2 – via Internet Archive.
  47. "British Newspaper Archive Screenshot The Stage Second show by Genet multi-racial No 3". britishnewspaperarchive.uk. The Stage. 9 April 1981.
  48. Nicolas de Jongh (28 July 1982). "LIOLA". The Guardian – via Internet Archive.

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