| Bird On Money | |
|---|---|
 | |
| Artist | Jean-Michel Basquiat |
| Year | 1981 |
| Medium | Acrylic and oil on canvas |
| Movement | Neo-expressionism |
| Dimensions | 170 cm × 230 cm (66 in × 90 in) |
| Owner | Rubell Family Collection |
Bird on Money is a 1981 painting created by American artist Jean-Michel Basquiat in 1981. It is a tribute to jazz musician Charlie Parker, who was nicknamed "Bird." The painting was acquired in 1981 and is housed in the Rubell Family Collection. In 2020, New York rock band the Strokes used the artwork as the cover for their studio album The New Abnormal.
Analysis
Bird on Money was executed in 1981, the year in which he made the transition from a street artist to an established gallery artist. The painting is a tribute to jazz saxophonist Charlie Parker, a leading figure in the development of bebop. In 1985, Basquiat told The New York Times Magazine: "Since I was seventeen I thought I might be a star. I'd think about all my heroes, Charlie Parker, Jimi Hendrix… I had a romantic feeling about how these people became famous." Basquiat, like Parker, struggled with heroin addiction. He also paid homage to Parker in the paintings Charles the First (1982) and CPRKR (1982).
Jazz music was a common theme in Basquiat's art and he often painted to jazz music. Basquiat referenced jazz musicians and recordings in over thirty of his paintings, including Discography I (1983), Horn Players (1983), Arm and Hammer II (1984), and King Zulu (1986). Music journalist Tom Terrell wrote in the liner notes of the compilation album Basquiat Salutes Jazz (2005): "As Parker's bebop transcended jazz to influence musical and nonmusical pop culture worldwide, so did Basquiat's legacy impact on hip-hop and Euro-pop, Indie film and post-electric Miles jazz. Both men were absolute Zen masters of trans-cultural improvisation."
Bird on Money depicts a black and blue yardbird in reference to Parker's nickname. Parker acquired the nickname "Yardbird" early in his career, which was later shortened to "Bird." Awash in repeated symbols and arrows, the painting invokes death with the drawing of Brooklyn's Green-Wood Cemetery, where Basquiat would be laid to rest in 1988. Basquiat, whose mother was Puerto Rican, often incorporated Spanish words into his works such as "PARA MORIR" (in order to die) across from the drawing of Green-Wood Cemetery.
Utilisation
Bird on Money is also used as the cover of the album The New Abnormal by The Strokes.
See also
References
- "Jean-Michel Basquiat". Rubell Museum. Archived from the original on 2021-03-02. Retrieved 2021-05-12.
- Campbell, Erica (April 13, 2021). "8 Albums With the Most Amazing Artwork". Architectural Digest. Archived from the original on 2021-04-13. Retrieved 2021-05-13.
- Whitehead, Kevin (August 28, 2020). "Charlie Parker, Born 100 Years Ago, Made Jazz Complexities Sound Deceptively Easy". NPR.org. Archived from the original on 2020-08-30. Retrieved 2021-02-01.
- McGuigan, Cathleen (February 10, 1985). "New Art, New Money". The New York Times. ISSN 0362-4331. Retrieved 2021-02-01.
- Steel, Rebecca (January 19, 2018). "The Art of Jean-Michel Basquiat: Legacy of a Cultural Icon". Culture Trip. Archived from the original on 2014-07-01. Retrieved 2021-02-01.
- Fu, Eddie (April 10, 2020). "Here's The Basquiat Painting That Inspired The Strokes' 'The New Abnormal' Cover Art". Genius. Archived from the original on 2020-04-11. Retrieved 2021-05-13.
- Eshun, Ekow (September 22, 2017). "Bowie, Bach and Bebop: How Music Powered Basquiat". The New York Times. ISSN 0362-4331. Retrieved 2021-02-01.
- ^ Saggese, Jordana Moore (2014-05-30). Reading Basquiat: Exploring Ambivalence in American Art. Univ of California Press. pp. 55, 85. ISBN 978-0-520-27624-6.
- McNally, Owen (December 29, 2005). "New Disc Reflects Art and Influences of Basquiat". The Hartford Courant. Archived from the original on 2021-07-08. Retrieved 2021-02-01.
- "How Charlie "YardBird" Parker got his nickname | American Masters | PBS". American Masters. 2020-08-27. Retrieved 2021-05-13.
- Saggese, Jordana Moore (2021-03-02). The Jean-Michel Basquiat Reader: Writings, Interviews, and Critical Responses. Univ of California Press. p. 312. ISBN 978-0-520-30515-1.