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The song is the working man's complaint, and "with its melody reminiscent of the 'Sloop John B,' describes the alienation felt by many rural southerners in the mid North," wrote country music historian Bill Malone. "Here, earnest and plaintive interpretation lends great believability to this mournful song." Bob Dylan describes the song as "...not so much the song of a dreamer, but the song of someone who is caught up in a fantasy of the way things used to be. But the listener knows that it just doesn't exist." Bare's version begins in the key of E, until after the repeat of the refrain, he makes a transition to the key of B for the second verse and refrain. He makes a transition back to the key of E as the song fades out. Bare's version also features a spoken recitation following half of the second verse, before singing the refrain before the song's fade.
The song's peak in popularity during the summer of 1963 came during a time when Tillis was still experiencing most of his success as a songwriter. He had previously written hits for Webb Pierce, Brenda Lee, Stonewall Jackson, and others, but this was one of his earliest major hits as a songwriter outside of those artists.
Billy Grammer's "I Wanna Go Home" reached #18 on the Billboard Hot Country Singles chart in early 1963. That summer, Bobby Bare's re-titled version peaked at #6 on the Billboard country chart (it spent total of 18 weeks on this chart) and #16 on the Billboard Hot 100.
Arthur Alexander released the song as a single in 1965 backed with "You Don't Care," but it did not perform well and proved to be his last single for Dot Records. Nonetheless, historian Nat Hentoff described Alexander's rendition as "deeply compelling," stating that it " the original version by Bobby Bare." Alexander biographer described it as "a stirring rendition." Music USA: A Rough Guide also praised Alexander's version. No Depression magazine states that Alexander's version "mourns a rural-to-urban migration that black Americans could relate to every bit as much as poor Southern whites."
In 1967, the song was also covered by Tom Jones, who had a UK Top 10 hit with it. The Jones version features Bare's spoken Recitation as well. Jones also included the song on his 1967 album Green, Green Grass of Home.
Solomon Burke covered the song in 1967 as well for his album King Solomon. His version reached #10 in the Canadian RPM Soul charts on January 27, 1968.
Hallberg, Eric (1993). Eric Hallberg presenterar Kvällstoppen i P 3: Sveriges radios topplista över veckans 20 mest sålda skivor 10. 7. 1962 - 19. 8. 1975. Drift Musik. p. 243. ISBN9163021404.
Hallberg, Eric; Henningsson, Ulf (1998). Eric Hallberg, Ulf Henningsson presenterar Tio i topp med de utslagna på försök: 1961 - 74. Premium Publishing. p. 313. ISBN919727125X.
Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition. Record Research. p. 39.
Whitburn, Joel (2013). Joel Whitburn's Top Pop Singles, 14th Edition: 1955-2012. Record Research. p. 446.