Misplaced Pages

François de Chancy

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources.
Find sources: "François de Chancy" – news · newspapers · books · scholar · JSTOR (April 2011)
This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. Please help improve this article by introducing more precise citations. (April 2011) (Learn how and when to remove this message)
(Learn how and when to remove this message)

François de Chancy (1600 – 1656) was a French singer lutenist and composer. He was a master of music for Cardinal Richelieu in 1631, master of chamber music (1635) and was chamber musician of the King's Chapel (1649). François de Chancy was highly regarded by Mersenne, who included Chancy pieces in his treatises. He died in Paris in his mid-fifties.

He participated and collaborated on vocal music of the following ballets de cour:

  • Ballet de la prospérité des armes de France, 1641
  • Ballet du dérèglement des passions, 1648
  • Ballet des fêtes de Bacchus, 1651

Publications

He was noted in following publications:

  • Tablature de mandore (pub. 1629) in Paris with Ballard
  • 12 lute pieces in Tablature de luth de différents auteurs sur des accords nouveaux, (pub. 1631)
  • two books of Airs de cour à 4 parties (pub. 1635, 1644), the 1st and 2nd Livre d'Équivoques (pub. 1640, 1647) and 3rd, 4th and 5th Livre de chansons (pub. 1649, 1651, 1655).

The other airs and tablatures are included in books of Chansons pour danser et pour boire (Paris: Ballard, 1660) and of Mss. M. Mersenne, in L'Harmonie universelle, in two German books (tablature for lute and tablature for mandore).

Bibliography

  • Marc Honegger (ed.): Dictionnaire de la musique (Paris: Bordas, 1986), p. 231.
Categories: