Misplaced Pages

João Zero

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Brazilian cartoonist and illustrator journalist
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous.
Find sources: "João Zero" – news · newspapers · books · scholar · JSTOR (April 2007) (Learn how and when to remove this message)
This biography of a living person relies on a single source. You can help by adding reliable sources to this article. Contentious material about living people that is unsourced or poorly sourced must be removed immediately. (February 2010) (Learn how and when to remove this message)
(Learn how and when to remove this message)
João Zero
Born (1950-08-07) August 7, 1950 (age 74)
São Paulo
Occupation(s)Cartoonist and illustrator

João Zero (born August 7, 1950, in São Paulo) is a Brazilian cartoonist and illustrator journalist. He was the son of an old family newsstand owner from Italy.

Zero was born in São Paulo, in the area called "Bixiga" Bela Vista, on August 7, 1950. His paternal grandfather was Italian Polignano a Mare and his maternal grandfather was Japanese from Hiroshima. He started drawing in a serious way in a newspaper called Movimento in the 1970s, together with the twin brothers Chico and Paulo Caruso, Angeli, Bruno Liberati, Jayme Leao, Alcy, Laerte, Jota, Maringoni, Geandre and Luis Ge. These people used to sit by a big wooden table in one of the writing offices of the newspaper to wait for the texts to be illustrated.

Censorship was widespread in Brazil when Zero started. In order to publish a newspaper's complete edition, it was necessary to have two editions because the censorship, used to cut a lot of articles and pictures, which was almost equivalent to half of the edition. This forced the editor to use the material remains for the final edition. The censorship cut the equivalent to a one newspaper and with the rest was made the other.

External links


Stub icon

This profile of a Latin American comics creator, writer, or artist is a stub. You can help Misplaced Pages by expanding it.

Brazil

This article about a Brazilian artist is a stub. You can help Misplaced Pages by expanding it.

Categories: