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Kanak war club

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(Redirected from Kanak war clubs) Traditional hardwood clubs used by the Kanak tribes of New Caledonia

A Kanak war club is a traditional weapon (mace) of the Kanak tribes of New Caledonia.

Kanak mace's striking head

Uses

Usually cut from a hardwood type of iron wood, gaiac or kohu they were used for war. Like all the Pacific clubs, their forms were of a very wide variety and specific to each country and each purpose. They were found in phallic form, but also in the form of a fungus or a bird’s beak. Their striking head consisted of a root knot. These weapons were originally decorated with plants, human hair, or cloths, and were wielded with one or two hands.

Oceanian art specialist Roger Boulay makes a distinction between a mace, that is "an object whose percussion point is in the axis of the handle" and a club, that is "an object whose percussion point is shifted in relation to this axis".

The Kanak called the "bird beak" club a "turtle beak".

Gallery

  • Kanak warriors holding clubs Kanak warriors holding clubs
  • Kanak mace with fungus head Kanak mace with fungus head
  • Kanak mace fungus type Kanak mace fungus type
  • Bird's beak club Bird's beak club
  • Kanak bird's beak club Kanak bird's beak club
  • Phallic mace Phallic mace
  • Kanak Mace Kanak Mace

See also

References

  1. La 1ère Nouvelle-Calédonie
  2. Susan Cochrane, Max Quanchi, Hunting the Collectors: Pacific Collections in Australian Museums, Art … Oxford Scholars Publishing
  3. Gustave Regelsperger, L'Océanie française: la Nouvelle-Calédonie, les Nouvelles-Hébrides, les établissements français de l'Océanie, Édition Notre Domaine Colonial, 1922, p.15
  4. Fergus Clunie, Fijian Weapons & Warfare, 2003, p. 136-7 et 142
  5. La 1ère Nouvelle-Calédonie
  6. Éliane Métais, Art Neo Caledonien, p.19

Bibliography

  • John Charles Edler, Terence Barrow, Art of Polynesia, Hemmeter Publishing Corporation, 1990.
  • Roger Boulay, Casse-Tête et Massues Kanak, 2015.
  • Adrienne L. Kaeppler, Douglas Newton, Harry N. Abrams, Oceanic Art, 1997.
  • Michael Gunn, William Teel, From the South Seas: Oceanic Art in the Teel Collection, Museum of Fine Arts, Boston, MFA Publications, 2006.
  • André Breton, Arts primitifs, Camels Cohen, 2002.
  • De jade et de nacre: patrimoine artistique kanak : Catalogue, Musée territorial de Nouvelle-Calédonie, Nouméa, mars-mai 1990, Musée national des arts africains et océaniens, Paris, octobre 1990-janvier 1991.
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