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This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) The topic of this article may not meet Misplaced Pages's notability guideline for music. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Find sources: "Katalin Károlyi" – news · newspapers · books · scholar · JSTOR (October 2012) (Learn how and when to remove this message) This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous. Find sources: "Katalin Károlyi" – news · newspapers · books · scholar · JSTOR (March 2019) (Learn how and when to remove this message) (Learn how and when to remove this message)

Katalin Károlyi is a Hungarian mezzo-soprano, noted for singing in Baroque opera, particularly those directed by William Christie. Károlyi has made a number of recordings with Christie's Les Arts Florissants including Médée and La Descente d'Orphée aux Enfers by Marc-Antoine Charpentier on CD and the DVD recording of Il ritorno d'Ulisse in Patria by Claudio Monteverdi.

References

1. Bauer, Amy; Kerékfy, Márton (2017). György Ligeti's Cultural Identities. Routledge. pp. 126–127. ISBN 9781317105091.

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