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Kaveri Poompattanatthu Kaari Kannanar

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Poet of the Sangam period
Topics in Sangam literature
Sangam literature
Agattiyam Tolkāppiyam
Eighteen Greater Texts
Eight Anthologies
Aiṅkurunūṟu Akanāṉūṟu
Puṟanāṉūṟu Kalittokai
Kuṟuntokai Natṟiṇai
Paripāṭal Patiṟṟuppattu
Ten Idylls
Tirumurukāṟṟuppaṭai Kuṟiñcippāṭṭu
Malaipaṭukaṭām Maturaikkāñci
Mullaippāṭṭu Neṭunalvāṭai
Paṭṭiṉappālai Perumpāṇāṟṟuppaṭai
Poruṇarāṟṟuppaṭai Ciṟupāṇāṟṟuppaṭai
Related topics
Sangam Sangam landscape
Tamil history from Sangam literature Ancient Tamil music
Eighteen Lesser Texts
Nālaṭiyār Nāṉmaṇikkaṭikai
Iṉṉā Nāṟpatu Iṉiyavai Nāṟpatu
Kār Nāṟpatu Kaḷavaḻi Nāṟpatu
Aintiṇai Aimpatu Tiṉaimoḻi Aimpatu
Aintinai Eḻupatu Tiṇaimālai Nūṟṟaimpatu
Tirukkuṟaḷ Tirikaṭukam
Ācārakkōvai Paḻamoḻi Nāṉūṟu
Ciṟupañcamūlam Mutumoḻikkānci
Elāti Kainnilai
Bhakti Literature
Naalayira Divya Prabandham Ramavataram
Tevaram Tirumuṟai
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Kārikkannanār, known in full as Kāviripoompattinathu Kārikkannanār (Tamil: காவிரிப்பூம்பட்டினத்துக் காரிக்கண்ணனார்), was a poet of the Sangam period, to whom 10 verses of the Sangam literature have been attributed, including verse 28 of the Tiruvalluva Maalai.

Biography

Hailing from Kaveri Poompattinam (present-day Puhar), Kaari Kannanar was a trader by occupation and has sung in praise of kings Chola Kura Palli Thunjiya Perunthirumavalavan, Pandiyan Ilavanthigai Palli Thunjiya Nanmaran, Pandiyan Velliyambalatthu Thunjiya Peruvaludhi, Aai Aandiran, and Pittan Kottran. He compared the Chola and Pandiya rulers with Lord Vishnu and Balarama. His time was close to that of Uraiyur Marutthuvan Dhamodharanar, Kovoor Kilar, Maadalan Madurai Kumaranar, Aavoor Moolam Kilar, Nakkirar I, and Marudhanila Naganar.

Contribution to the Sangam literature

Kaari Kannanar has written 10 Sangam verses, including 5 in Purananuru (verses 57, 58, 169, 171, and 353), 1 in Kurunthogai (verse 297), 3 in Agananuru (verses 107, 123, and 285), and 1 in Tiruvalluva Maalai (verse 28).

Views on Valluvar and the Kural

Kaari Kannanar opines about Valluvar and the Kural text thus:

It is no other than Ayan (Brahma) himself, seated on the beautiful lotus-flower, who, assuming the form of Valluvar, has given to the world the truths of the Vēdas, that they may shine without being mixed up with falsehood.

See also

Notes

  1. Vedanayagam, Rama (2017). திருவள்ளுவ மாலை மூலமும் எளிய உரை விளக்கமும் (in Tamil) (1 ed.). Chennai: Manimekalai Prasuram. pp. 42–43.
  2. ^ Kowmareeshwari, S., ed. (August 2012). அகநானூறு, புறநானூறு . Sanga Ilakkiyam (in Tamil). Vol. 3 (1 ed.). Chennai: Saradha Pathippagam. pp. 393, 405–406.
  3. Robinson, 2001, p. 23.

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