Kilimogo Productions is bicultural theatre collective based in Ōtepoti Dunedin that was founded in 1995 or 1996.
Background
The founders of Kilimogo Productions include Rangimoana Taylor, Cindy Diver and Hilary Halba. The intention was to look at theatre from both a Māori and Pākehā perspective. Founding member Taylor says of this in an interview with Halba, "I sometimes think we go quite painfully, as equals, but we discuss everything."
Productions
Ngā Tangata Toa
Nga Tangata Toa (1997) by Hone Kouka. The play started with the Māori ritual of a karanga and haka pōwhiri blurring reality for the audience with this experience that bring a host group and a visitor group together and many in the audience would have experienced in different settings, overall the structure of the play was formed with the framework of a meeting on a marae.
Whaea Kairau
Two years after presenting Nga Tangata Toa Kilimogo presented Rangimoana Taylor’s brothers play, Whaea Kairau: Mother Hundred-Eater (July 1999) by Apirana Taylor at the Otago Museum. This play references Brecht's play Mother Courage and Her Children. In Apirina's re-telling the central character is an Irish women in New Zealand during battles and war at the beginning of settler colonisation starting in the 1840s.
Title | Author | Venue | Year | Notes | Ref. |
---|---|---|---|---|---|
Nga Tangata Toa | Hone Kouka | Globe Theatre (Dunedin) | 1997 (Jul) | ||
Nga Tangata Toa | Hone Kouka | Playhouse Theatre (Timaru) | 1997 (Dec) | ||
Tuatara | Allen Hall Theatre (Dunedin) | 1998 | |||
Whaea Kairau:
Mother Hundred Eater |
Apirana Taylor | Otago Museum (Dunedin) | 1999 | ||
Mauri Tu | Globe Theatre (Dunedin) | 2003 | |||
Homefires | Hone Kouka | Fortune Studio (Dunedin) | 2001 | ||
Blue Smoke | Rawiri Paratene, Murray Lynch | Ruby in the Dust (Dunedin) | 2002 | In partnership with |
References
- ^ "Hilary Halba". Otago University. Retrieved 10 July 2021.
- ^ Maufort, Marc (2007). Performing aotearoa New Zealand theatre and drama in an age of transition. ISBN 978-90-5201-359-6. OCLC 230201315.
- "Interact Drama". Theatre Works. Retrieved 11 July 2021.
- Grace-Smith, Briar. "Consolidating Māori theatre, 1990s onwards". Te Ara - the Encyclopedia of New Zealand. Retrieved 10 July 2021.
- Halba, Hilary (1 November 2015). "Poetry, politics, the past and the present: Interweaving Maori postcolonial theatre with Bertolt Brecht in Kilimogo's production of Apirana Taylor's Whaea Kairau: Mother Hundred-Eater". Journal of New Zealand & Pacific Studies. 3 (2): 133–148. doi:10.1386/nzps.3.2.133_1.
- Looser, Diana (31 October 2014). Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania. University of Hawaii Press. ISBN 978-0-8248-4775-3.
- "Taylor, Apirana". Read NZ Te Pou Maramura. Retrieved 10 July 2021.
- ^ "Theatre Aotearoa Database". Theatre Aotearoa Database. University of Otago. Retrieved 11 July 2021.
- "Mauri Tu / Tatai". Globe Theatre Dunedin. Retrieved 11 July 2021.
- "Past Shows | Wow Productions". Wow Productions | Premiere Dunedin Theatre. Retrieved 11 July 2021.