Lady Lever Art Gallery Building | |
Established | 1922 (1922) |
---|---|
Location | Port Sunlight, Merseyside, England, United Kingdom |
Coordinates | 53°21′21″N 2°59′58″W / 53.355755°N 2.9993981°W / 53.355755; -2.9993981 |
Visitors | 210,790 (2019) |
Website | www.liverpoolmuseums.org.uk |
The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five period rooms recreating typical period interiors from large houses.
History
Lever began collecting art in the late 19th century, largely to use in advertising for the popular Sunlight Soap brand (manufactured a few minutes' walk from the gallery) that helped to create his fortune. As he grew richer his collections began to expand, his confidence grew as well and he developed a taste for collecting. He mostly collected British art, but he was also fascinated by Chinese art, Roman sculpture and Greek vases, which he had chosen to collect to show styles that had influenced British artists in the eighteenth and the nineteenth centuries.
He endowed the gallery to showcase his collection. It is named in memory of his wife Elizabeth Hulme (Lady Lever) who had died in 1913.
The building
Commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 a touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings.
- Gallery Rooms
- Main Hall
- Room 19, Classical and 18th century sculpture, Greek pottery
- Room 21, Adam room
Collection
The Gallery has good representation of several trends in Victorian painting, including the Pre-Raphaelites, both during the period of the Brotherhood and in their subsequent careers. Concern with social conditions, classical revivalism and later historical painting are all represented. There are important works by Millais, Ford Madox Brown, William Holman Hunt, Dante Gabriel Rossetti, Edward Burne-Jones, Lord Leighton, and many others. The museum has what appears to be the largest display in any museum of paintings by William Etty. Earlier works include those by Turner, Constable, Gainsborough and Reynolds.
Much of the Wedgwood collection was from the collection of Dudley Marjoribanks, 1st Baron Tweedmouth, bought in 1905. This in turn was partly formed from the collection of Charles Darwin, Josiah Wedgwood's grandson. It is probably the best collection of jasperware in the world.
The collection includes several examples of New Sculpture including works by Edward Onslow Ford, John Gibson, William Goscombe John, and F. W. Pomeroy.
Gallery of works of art in the collection
-
Antinous
circa 130–138
restored (circa 1795) as Ganymede -
Emperor Hadrian
18th century -
Johan Zoffany
Robert Baddeley as Moses in Sheridan's 'The School for Scandal'
1781 -
Joshua Reynolds
Mrs. Peter Beckford
1782 -
George Stubbs
Selfportrait on Horseback
1783 -
John Flaxman
Cephalus and Aurora
1789 -
Élisabeth Vigée Le Brun
Emma, Lady Hamilton as a Bacchante
circa 1790 -
William Etty
The Triumph of Cleopatra
1821 -
William Etty
The Judgement of Paris
1826 -
after Lorenzo Bartolini
Venus
1830 -
John Constable
Cottage at East Bergholt
1833 -
J. M. W. Turner
The Falls of the Clyde
circa 1845 -
Franz Xaver Winterhalter
Prince Albert
1846 -
William Holman Hunt
The Scapegoat
1854 -
John Everett Millais
A Dream of the Past: Sir Isumbras at the Ford
1857 -
John Everett Millais
Spring (Apple Blossoms)
1858 – 1859 -
John Everett Millais
The Black Brunswicker
1860 -
Arthur Hughes
A Music Party
1864 -
Frederick Walker
The Bathers
1866 – 1867 -
Edward Burne-Jones
The Beguiling of Merlin
1874 -
Ford Madox Brown
Cromwell on his Farm
1874 -
Dante Gabriel Rossetti
The Blessed Damozel
1875 -
Hubert von Herkomer
The Last Muster
1875 -
Frederic Leighton
Daphnephoria
1876 -
Lawrence Alma-Tadema
Tepidarium
1881 -
John Everett Millais
Bubbles
1886 -
William Holman Hunt
May Morning on Magdalen Tower
1890 -
Frederic Leighton
The Garden of Hesperides
circa 1891 -
John Henry Frederick Bacon
The Wedding Morning
1892 -
Edward Onslow Ford
Echo
1895 -
Desiré Maurice Ferrary (fr)
Leda and the Swan
1898 -
Desiré Maurice Ferrary
Salambo
1899 -
Edward Onslow Ford
The Snowdrift
1901 -
John Singer Sargent
On his Holidays, Norway
1901 -
Clovis Delacour (fr)
Andromeda
circa 1901 -
F. W. Pomeroy
The Wood Nymph
1908 -
John William Waterhouse
The Decameron
1916 -
John William Waterhouse
The Enchanted Garden
1916 – 1917
See also
References
- "ALVA - Association of Leading Visitor Attractions". www.alva.org.uk. Retrieved 9 November 2020.
- "Homepage". National Museums Liverpool.
- "Chinese collection - online catalogue", A record of the collection formed by the 1st Viscount Leverhulme (1851-1925)"
- "History of the Lady Lever Art Gallery". Liverpool Museums.
- Davis, The Public Catalogue Foundation. Coord.: Siobhan (2013). Oil paintings in public ownership in national museums of Liverpool. : The Public Catalogue Foundation. p. 5. ISBN 978-1-909475-08-3.
- "Exciting plans for the Lady Lever Art Gallery", from National Museums Liverpool
- "South End galleries - Lady Lever Art Gallery, Liverpool museums". www.liverpoolmuseums.org.uk. Archived from the original on 16 April 2018. Retrieved 15 April 2018.
- Millais, John Everett. Apple Blossoms. Lady Lever Art Gallery.
- Collections, "Wedgwood" Archived 26 May 2019 at the Wayback Machine, www.liverpoolmuseums.org.uk
External links
- Lady Lever Art Gallery official web site
- What's On at the Lady Lever Art Gallery
- A personal view with photographs
- Historic England. "Details from listed building database (1075469)". National Heritage List for England.
National Museums Liverpool | |
---|---|
Open | |
Closed |
|
- 1922 establishments in England
- Buildings and structures in the Metropolitan Borough of Wirral
- National Museums Liverpool
- Art museums and galleries in Merseyside
- Biographical museums in Merseyside
- Grade II listed buildings in Merseyside
- Decorative arts museums in England
- Museums in Merseyside
- Art museums and galleries established in 1922
- Collection of the Lady Lever Art Gallery