Misplaced Pages

Lia van Rhijn

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Dutch artist
This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous.
Find sources: "Lia van Rhijn" – news · newspapers · books · scholar · JSTOR (November 2017) (Learn how and when to remove this message)
In this Dutch name, the surname is Van Rhijn, not Rhijn.
Van Rhijn with "Singer" sculpture.

Lia van Rhijn (born 1953 in Nieuwerkerk aan den IJssel) is a Dutch ceramist and sculptor, who makes sculptures of human – and animal figures and architectural forms.

Life

Lia van Rhijn studied at the Academy of Fine Arts in Amersfoort and the Free Academy in The Hague. It was Ernst Beijer who awoke her interest for special architectural lines, and she received glaze lessons from Henk Trumpie.

For her early work she received the Art Encouragement Prize from the city of Gouda in 1980. Travelling to Mexico, Ireland, Spain and imaginary tours to Cappadocia made her aware of the ethnic and geographic influence on art forms. In these experiences she found the themes and inspiration for all her work. In addition, she is not led by conventional currents, but follows her own ideas.

The studio of Lia van Rhijn is part of the Arts Centre Hofstede Duet in Zuidwolde, Drenthe in which her life partner, the etcher Han van Hagen, participates. In that context, they offers courses and workshops.

Work

The raw material for Lia van Rhijn's work is clay, which produced both turned work and hand sculpture; Also, the clay mold press is used. The baking and glazing of the images is carried out according to various techniques and in various ovens, including the Raku method. Her images include human – and animal figures, with attention to moods and attitudes. Part of her portraits are inspired by examples from the Renaissance.

Architectural forms, as well as draperies find a place in her oeuvre. Combinations of themes occur. Her pots and bowls are purely artistic, but could also be partly named artistic formed using ceramic or ceramic applied.

Gallery

  • Necktie Necktie
  • Drapery Drapery
  • Drapery with foot Drapery with foot
  • Mother and Child Mother and Child
  • Mermaid Mermaid
  • Sheep Sheep
  • Shell Shell
  • Robin Robin
  • Marie Antoinette Marie Antoinette
  • Tower Vase Tower Vase

See also

References

  1. Biographical data at the Netherlands Institute for Art History
  2. Lia van Rhijn, Traces in clay. Zuidwolde, 2010. With complete list of works and contributions by Han van Hagen, Wim van der Beek, Leo and Yvonne Divendal Kroonenberg.

External links

Categories: