Compositions using the octatonic scale:
- "Just" (1995). Jonny Greenwood plays a series of OCT02 scales on the guitar during the intro (0:06-0:16) and each chorus (0:55-1:05, 1:44-1:55, 2:47-3:09)
- Harvest Song (Ara táskor) Violin Duo # 33
- Ballade No. 1 in G Minor, Op. 23 : (bars 130-132)
- Etude in F Minor, Op. 10, No. 9: (bars 28-30)
- The Unanswered Question (solo trumpet part)
- Piano Sonata No. 1 (1st mov.)
- Fire Dance
- Animation Suite, Tin Sentinel
- Animation Suite, Clockwork Doll
- Trio for violin, oboe and piano, Artemis (2nd mov.)
- Prelude No. 9
- Mazurka No. 1
- Échos de l'Orient judaïque (1879)
- "Chant à la lune", incidental music to Salammbô (1886)
- "Digital Veil" (2011)
- King Crimson
- "Red" (1974).
- "Oh, the Guilt" (1993) (verses)
- "Blandest" (1988) (verses)
- Procol Harum
- "Whaling Stories" on Procol Harum – Live In New York (April 1971)
- Zoltán Kodály
- Sonata for Violoncello and Piano, Mov. II (1910)
- Trio élégiaque No. 2
- Sadko (1867)
- Piano Piece, Op. 23, no. 3 (1923)
- Symphony No. 8, 1st mvt., bars 13-20
- Piano Sonata in C major, D 840 (Schubert), 1st mvt bars 33-39
- Prelude Op. 74, No. 3 (1914)
- Piano Sonata No. 9, Op. 68 (1912-13), melody from bar 5 onwards
- Petroushka (1911)
- The Rite of Spring (1913)
- Les Noces (1923)
- Symphony of Psalms (1930)
- Agon, "Pas de deux" (1957)
- Distance de Fée, SJ1050 (1951)
- Fok julle Naaiers (2011). Piano line in the intro is octatonic, bass synth adds a ninth tone.
- Adi Morag
- "Octabones" (1999)
- Oolaa from the Green Album
- Closer for two alto saxophones (2022)
- Polarizations for solo viola (2023)
- The Dark eternal night
Sources
- Victoria Malawey, “Ear Training with the Music of Radiohead.” Indiana Theory Review, vol. 30, no. 2, 2012, pp. 27–64. JSTOR, http://www.jstor.org/stable/24045402.
- ^ Stephen Pleskun, A Chronology History of Australian Composers and Their Compositions - Vol. 4 1999-2013 (Publisher Xlibris Corporation, 2014, ISBN 1493135376, 9781493135370)
- Robert Bremner Publishing (July 15, 2015). "Public extract of Prelude No. 9", robertbremner.com.
- Maurice Hinson, Music for More than One Piano: An Annotated Guide (Bloomington, Indiana: University of Indiana Press 1983, 2001; ISBN 0-253-21457-2)
- Kahan, Sylvia (2009). In Search of New Scales, p.105&115. ISBN 9781580463058.
- Kahan (2009), p.58.
- ^ van der Merwe, Peter (2004). Roots of the Classical, p.228. ISBN 9780198166474.
- Karan, Tim (May 3, 2011). "Track By Track: The Human Abstract", AltPress.com.
- Keeling, Andrew (2007). King Crimson: Red: An Analysis by Andrew Keeling.
- Antokoletz, Elliott (1984). The Music of Béla Bartók, p.12. ISBN 9780520067479.
- ^ Antokoletz (1984), p.10.
- ^ Kahan (2009), p.1.
- ^ Schuijer, Michiel (2008). Analyzing Atonal Music, p.13. ISBN 9781580462709.
- ^ Chemistruck, Daniel (2006). Imposing Harmonic Restrictions on Symmetrical Scales, p.8.
- Van Den Toorn, Pieter C. and McGinness, John (2012). Stravinsky and the Russian Period, p.43. ISBN 9781107021006.
- Shetty, Suraj. Khayaal, a lil fantasy: Full score : Band/Trio & Solo.
- "Khayaal, a lil fantasy: Full score : Band/Trio & Solo Sheet Music | Suraj Synthesist | Jazz Ensemble". www.sheetmusicdirect.com. Retrieved 2024-03-28.
- The Dark Eternal Night Authentic Guitar TAB. Alfred Music. ISBN 978-0-7390-4936-5.
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