Misplaced Pages

Miquel Roger i Casamada

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
The topic of this article may not meet Misplaced Pages's notability guideline for biographies. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted.
Find sources: "Miquel Roger i Casamada" – news · newspapers · books · scholar · JSTOR (July 2017) (Learn how and when to remove this message)
Miquel Roger Casamada
Born16 July 1954
Barcelona
Died24 March 2017(2017-03-24) (aged 62)
Vilagrassa
Resting placeCemetery of Palamós
Occupations
  • Composer
  • Producer
  • Teacher

Miquel Roger Casamada (Barcelona, Spain, 16 July 1954 - Vilagrassa, 24 March 2017) was a Spanish Catalan composer and music producer, who began composing in 1977. He founded the Anacrusi record label and produced several records with soloists, chamber ensembles and orchestras, including the Barcelona Symphony Orchestra and National Orchestra of Catalonia (Orquestra Simfònica de Barcelona i Nacional de Catalunya).

Biography

He was born in Barcelona in 1954, and began his studies at the Municipal Conservatoire of Barcelona (Conservatori Superior Municipal de Música de Barcelona), and subsequently studied with Josep Soler. In 1985 he graduated with a degree in Arts and Philosophy at the University of Barcelona.

His composing career began in 1977 with the performance of his first piece for piano Set de set. His compositions were published by Musikverlag Zimmermann, Boileau and La Ma de Guido. Miquel Roger received commissions from the Asociación Música XXI (1979), the Festival Internacional de Música de Barcelona (1981), the Ajuntament de Badalona (1989), the Associació Catalana de Compositors (1991), and the Centro para la Difusión de la Música Contemporánea (1993).

The recordings of his works are as follows: Triologia (Paris String Trio); Blanca Quartet (Enesco Quartet); Per a la Liliana (in two versions, by the pianist Emili Brugalla and by Montserrat Massaguer); Set de set (by the pianist Assumpta Coma); Quintet de Vent núm. 1 (Harmonia Quintet de Vent);Sis estudis per a clarinet (J. Fuster); Patinnazo (by the flautist Patricia Mazo); his chamber opera Nascita e Apoteosi di Horo (the Chamber Orchestra and choir of the Conservatoire of Badalona conducted by J. Luis Temes).

In 1997 he recorded several of his works for soloists and chamber music with the label Ars Harmónica.

In the 1992–1993 season, the Orquestra Ciutat de Barcelona performed his work Tres Moviments Simfònics, in the summer of 1994 the same orchestra recorded his Concert per a Percussió, Piano i Orquestra, with the soloists Assumpta Coma on piano, and Ignasi Vila on percussion. The conductor was J. Pons.

His chamber opera, Nascita e apoteosi di Horo, won a prize at the First Chamber Opera Competition held by the Spanish National Youth Orchestra.

In 1996 he founded the label Anacrusi, of which he was the managing director and whose main objective was the dissemination of contemporary twentieth and twenty first century music. In 2001, he renovated the old theatre at Jafre (Girona) and turned it into a recording studio under the name l'Auditòrium. As musical producer he was responsible for recordings with soloists and chamber orchestras, including the Orquestra Ciutat de Barcelona and Nacional de Catalunya, Orquesta de Cordoba, Orquesta de Malaga, Orquestra Simfonica d'Euskadi, Orquesta de RTV de España, Orquestra de Cambra d'Andorra, and Tokio Quartet.

He taught musical theory at the Manresa Conservatoire (1982-1986). In 1987 he was appointed head of the music theory department and teacher of counterpoint, music history, aesthetics and composition at the Badalona Conservatoire.

Roger's music has its roots in the Second Viennese School and has developed gradually towards an aesthetic free of academic restraints. At times, the morphological structure of his music displays a markedly contrapuntal mentality which, by its audacity, seems to establish a link with the inquiring spirit of Renaissance polyphony. On the other hand, he occasionally displays a clearly homophonic tendency. His work stands out for the logical structure and austere progression, free of digressions, which he applies to the development of his compositions.

Discography

  • Miquel Roger: Obres de Cambra I (Ed. Ars Harmónica)
  • Miquel Roger: Obres de Cambra II (Ed. Anacrusi s.l.)
  • Miquel Roger: Obres per a piano (Ed. Anacrusi s.l)
  • Quartet de corda núm. 2 (Kreuzer Quartet, Ed.Metier,)
  • Quartet de corda núm. 4 (Ed. Conservatori de Badalona)
  • Peça per a piano, percussió i orquestra (Ed. Fundació Música contemporània)

References

  1. Institut Ramon Llull (CC-BY-SA) (ed.). "Miquel Roger". Retrieved December 2, 2016.
  2. "Editorial de Música Boileau - Autores".
  3. "Roger (i Casamada), Miquel". Archived from the original on 27 April 2017. Retrieved 26 April 2017.

External links

Categories: