Sea change or sea-change is an English idiomatic expression that denotes a substantial change in perspective, especially one that affects a group or society at large, on a particular issue. It is similar in usage and meaning to a paradigm shift, and may be viewed as a change to a society or community's zeitgeist, with regard to a specific issue. The phrase evolved from an older and more literal usage when the term referred to an actual "change wrought by the sea", a definition now remaining in very limited usage.
History
The term appears in William Shakespeare's The Tempest in the song Full fathom five sung by a supernatural spirit, Ariel, to Ferdinand, a prince of Naples, after Ferdinand's father's apparent death by drowning. The term sea change is used to mean a metamorphosis or alteration.
Usage
A literary character may transform over time into a better person after undergoing various trials or tragedies (e.g. "There is a sea change in Scrooge's personality towards the end of Charles Dickens' A Christmas Carol.") As with the term Potemkin village, sea change has also been used in business culture. In the United States, it is often used as a corporate or institutional buzzword. In this context, it need not refer to a substantial or significant transformation.
References
- Sea-change OED Online, December 2013.
- The Absent Shakespeare – Mark Jay Mirsky. p. 132.
- Complexity, Organizations and Change - Elizabeth McMillan. pp. 61–62.
- Buzzword of the Week: Sea Change. Daily Finance, December 9, 2010
Further reading
- Safire, William (13 February 1994). "ON LANGUAGE; Downsize That Special Sea Change". The New York Times. Retrieved 17 March 2014.
- Rich and Strange: Gender, History, Modernism. pp. 3- (preview page 4 not shown in preview)
- The Absent Shakespeare. pp. 131–132.
- Data Protection: Governance, Risk Management, and Compliance. p. xx.
- Complexity, Management and the Dynamics of Change: Challenges for Practice. p. 78.
- The Shakespeare Wars: Clashing Scholars, Public Fiascoes, Palace Coups. p. 509.
- Shakespeare Survey, Volume 24. p. 106.
