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Writing for Allmusic, music critic Cub Koda wrote of the album; "Although painted as a quaint coffeehouse group from the hootenanny days of folk music's history, the Kingston Trio actually had pretty big ears for a wide variety of material, ranging from pop to obscure Broadway material, to songs from up-and-coming folk artists they had originally influenced... this collection shines a light on a part of the group's history usually ignored, and shows that much good music emerged during their final days."