The Lamentation of Christ (Anthony van Dyck, Alte Pinakothek)

Painting by Anthony van Dyck

The lamentation of Christ is a painting by the Flemish artist Anthony van Dyck dated to 1628-1630. It is in the collection of the Alte Pinakothek in Munich. The artist had treated the same subject in multiple works, including two versions in the Royal Museum of Fine Arts Antwerp in Antwerp and one in the Kunsthistorisches Museum in Vienna.

References

Anthonis van Dyck (1599-1641), Die Beweinung Christi, um 1628 - 1630 at the Alte Pinakothek site
Busch, W. (1993). Das sentimentalische Bild: die Krise der Kunst im 18. Jahrhundert und die Geburt der Moderne. Beck. p. 59. ISBN 9783406375545. Retrieved 2015-11-25.

External links

Media related to The lamentation over the dead Christ (Anthony van Dyck - Alte Pinakothek) at Wikimedia Commons

v t e Anthony van Dyck
List of paintings
Religious subjects	Entry of Christ into Jerusalem (1617) Crucifixion with the Virgin, Saint John and Saint Mary Magdalene (1617–1619) Saint Martin Dividing his Cloak (1618) The Brazen Serpent (c. 1618–1620) The Apostle Matthew (c. 1618–1620) The Crowning with Thorns (1618–1620) The Betrayal of Christ (1618–1620) Bristol Madrid Minneapolis Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620) Samson and Delilah 1620 1630 Susanna and the Elders (c. 1631–1632) Madonna and Child (1621–1627) The Mocking of Christ (1628–1630) The Coronation of Saint Rosalia (1629) The Vision of the Blessed Hermann Joseph (1629–1630) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Crucifixion (1630) The Resurrection (1631–1632) Madonna with Partridges (1632) Deposition / Lamentation over the Dead Christ 1615 1618 1619 1629 1629–1630 1634 1635 1640
Saint Rosalia series (1624–1625)	Houston London Madrid New York Ponce Palermo (studio work) Munich (autograph or studio)
Mythological subjects	Drunken Silenus (1620) Jupiter and Antiope (1620) Diana and a Nymph Surprised by a Satyr (1622–1627) The Shepherd Paris (1628) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632) Venus Asks Vulcan to Forge Arms for her Son Aeneas (1630–1632) Cupid and Psyche (1638–1640)
Portraits	Cornelis van der Geest (1620) Theresa Shirley (1622) Robert Shirley (1622) Cardinal Guido Bentivoglio (c. 1623) The Lomellini Family (c. 1625–1627) Gaston, Duke of Orléans (1632 or 1634) Charles I with M. de St Antoine (1633) Equestrian Portrait of Francisco de Moncada (1634) Francisco de Moncada (1634) Thomas Francis, Prince of Carignano (1634) Charles I at the Hunt (c. 1635) Charles I in Three Positions (1635 or 1636) The Three Eldest Children of Charles I (Turin) (1635) The Three Eldest Children of Charles I (Royal Collection) (1636) Equestrian Portrait of Charles I (1637–1638) Triple Portrait of Henrietta Maria (1638) Mary Hill, Lady Killigrew (1638) William Killigrew (1638) Queen Henrietta Maria as St Catherine (1639) Luigia Cattaneo-Gentile (c. 1622) Magistrates of Brussels (Preparatory sketch) (1634–1635) Olivia Porter (1630s) Mary Villiers, Lady Herbert of Shurland (c. 1636) Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
Self-portraits	Vienna (1613–1614) New York (1620–1621) Self-Portrait with a Sunflower (1632–1633) Self-portrait with Sir Endymion Porter (1635) London (1640)
Other paintings	A Soldier on Horseback (c. 1616) Mucius Scaevola before Lars Porsenna (c. 1618–1620)
Related	Hendrick van Balen the Elder (master) Peter Paul Rubens (master) Paul de Vos (collaborator) Van Dyke beard

This article about a seventeenth-century painting is a stub. You can help Misplaced Pages by expanding it.

Categories:

See also

References

External links