Article snapshot taken from Wikipedia with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
The PopMatters review by John Garrett stated "Sánchez doesn't use the Meridian Suite to show off much fancy stickwork. The real meat and power of Migration's sound comes from Blake playing overtop Escreet's Fender Rhodes electric piano. Everyone involved is pulling their weight, yes, but there's something about the teamwork of Blake and Escreet that helps place Meridian Suite on the top of the heap of modern fusion". In The Irish Times, Cormac Larkin noted "Sanchez has through- composed this five-part suite that roams freely over a wide musical plain, referencing everything from hard-swinging Coltrane pedal-point to funked-out Weather Report fusion. More of this, please". In Modern Drummer Terry Branam said "The Meridian Suite takes the listener on a spectacular journey through a nearly hour-long composition that’s divided into five parts. This epic long-form piece features some of Sanchez’s most refined yet most adventurous playing to date". In The New York Times Nate Chinen wrote "Mr. Sánchez has developed a keen sense of scale as a composer, and he pushes it to the limit here". On All About Jazz, Doug Collette observed "In keeping with Antonio Sanchez' multi-faceted ownership of this project, the leader's playing is as authoritative within this structured setting as in the looser atmosphere of the other album: the composer/bandleader simultaneously underlines the melodic and rhythmic motifs of each interval and, at the same time, maintains a flexibility that allows his counterparts to express their personalities as fully as he does".
Track listing
All compositions by Antonio Sánchez except where noted
