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In 1980, Wilbrandt founded the Berlin Chamber Academy (Berliner Kammer-Akademie), a forty-piece orchestra originally formed from players of the Berlin Philharmonic, with whom he recorded a Mozart Series for RCA Victor.
Alongside international conducting activities and collaborations with orchestras such as the Berlin Philharmonic and the Philharmonia Orchestra in London, Wilbrandt became increasingly focused on his own projects and recordings. His personal works were focused particularly in the fields of Avant-garde and Electronic music, which led to developed experimentation regarding multimedia content and to the constant exploration of new forms of musical presentation.
One of Wilbrandt's first major projects was the creation of a fusion between acoustic orchestral playing and digital and electronic instruments and sounds, entitled THE ELECTRIC V., an approach to Vivaldi's concert cycle The Four Seasons. The first edition of THE ELECTRIC V. was released in 1984 in twenty countries. Wilbrandt wrote, directed, and produced THE ELECTRIC V. film between 1987 and 1990.
Transforming V. – Variations on Vivaldi, Royal Philharmonic Orchestra. Created, arranged, and conducted by Thomas Wilbrandt. Decca 425 211 (1990)
Erik Satie, Alone, for a Second, Modern Sinfonietta. Created, arranged, and conducted by Thomas Wilbrandt. Decca 425 226 (1991)
Modest P. Mussorgsky, Pictures at an Exhibition, Modern Sinfonietta. Orchestrated, arranged, and conducted by Thomas Wilbrandt. Decca 436 717 (1993)
Mussorgsky/Wilbrandt, Exhibitionistic Echoes (from Pictures at an Exhibition). A reworking for acoustic instruments and electronic delays Modern Sinfonietta. Decca 436 717 (1993)
Thomas Wilbrandt, Mono Tones – 12 Studies in Silence, for one and two pianos. Decca 440 228 (1993)
The Electric V. The Four Seasons Variations (Film c. 92 mins). Created, filmed, produced, and directed by Thomas Wilbrandt. Decca/Universal (1990) LD-Video 071 117