Article snapshot taken from Wikipedia with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
You can help expand this article with text translated from the corresponding article in Polish. (January 2016) Click for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Polish Misplaced Pages article at ]; see its history for attribution.
You may also add the template {{Translated|pl|Tomasz Dolabella}} to the talk page.
Active in the historical capital city of Kraków, where his huge canvas paintings were displayed in Gothic churches around the central districts, including the historical suburb of Kazimierz near the Vistula River. Only a few of them have survived, most notably in the local Dominican church and the Corpus Christi Basilica.
He was later supported by Sigismund's son, Władysław IV Vasa. In Warsaw he opened a workshop for artists. Some of his paintings glorifying Poland over Russia, after Sigismund's successful military campaigns in Muscovy, were destroyed on the orders of TsarPeter the Great. Most notably one of those paintings depicted Polish commander and Hetman, Stanisław Żółkiewski, leading a line of left over Russian prisoners after the Battle of Klushino, where the Polish army completely annihilated the enemy.