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Yeden, in Turkish makam theory, is the note preceding the tonic note (Durak) as the leading tone within a makam.

History

The term Yeden has been first introduced into Turkish makam theory by Rauf Yekta Bey, he considered the Yeden a complementary feature of a makam.

Melodic function

The Yeden, as with the leading tone in Western classical music, leads to the resolution of a makam. While the Yeden note is generally octave equivalent with the 7th tone within the scale, sometimes it may be a different note. When it is a different note, sometimes its octave equivalent counterpart can be used in the scale, even if it is normally not in the scale.

There are three different intervals that a Yeden can have in the 53 Tone Equal Temperament in Turkish makam theory, developed by and named after the Arel-Ezgi-Uzdilek notation.

1. Bakiye

The Bakiye is equivalent to 4 Holdrian Commas (90.57 cents), which as a leading tone is slightly sharper than the 100 cent Western leading note.

A scale that uses this Yeden is Mahur.

2. Küçük Mücennep

The Küçük Mücennep is equivalent to 5 Holdrian Commas (113.21 cents), which as a leading tone is slightly flatter than the 100 cent Western leading note.

A scale that uses this Yeden is Rast.

3. Tanini

The Tanini is equivalent to 9 Holdrian Commas (203.77 cents), which is very slightly flatter than the 200 cent Western subtonic.

The Yeden being either Bakiye or Küçük Mücennep away from the tonic provide for a stronger resolution. If the Yeden is a Tanini away from the tonic, it's a weaker resolution.

A scale that uses this Yeden is Uşşak.

See also

• Durak
• Seyir

References

1. ^ Öztürk, Selçuk. "KÜRDÎLİHİCAZKÂR MAKAMI KURAMINDA YEDEN KAVRAMININ DEĞERLENDİRİLMESİ". Gümüşhane Üniversitesi Sosyal Bilimler Elektronik Dergisi.
2. ^ "Türk Müziği Sertifika Eğitim Programı" (PDF). İstanbul University.

• Turkish makam music
• Ottoman classical music
• Music of Turkey
• Maqam-based music tradition