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Symphony No. 2 (Mozart)

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Mozart

The piece of music once known as Wolfgang Amadeus Mozart's Symphony No. 2 in B♭ major, K. 17, is now considered to be not by him, but by possibly his father, Leopold Mozart. This symphony has been given the number Anhang C 11.02 in the sixth edition of Ludwig Ritter von Köchel's catalogue of Mozart's music, and is now also catalogued as Eisen B♭ 6 (LMV VII:B6) in Cliff Eisen's catalogue of Leopold Mozart's symphonies. It was written for 2 oboes, 2 horns in B♭, and a string section.


\relative c'' {
  \key bes \major
  \tempo "Allegro"
  \partial 4 f8.\f f16 bes4 d,8. d16 f4 f,8. f16 bes4 d8. f16 \times 2/3 {f,8-. f (g} \times 2/3 {as g f)} g4
}

The symphony is in four movements in the usual quick–slow–minuet–quick pattern:

  1. Allegro
  2. (Andante)
  3. Menuetto I & II
  4. Presto

The publication of this symphony in the Alte Mozart-Ausgabe, the first collected edition of Mozart's music, shows several points at which smaller, editorially-supplied notes are given, suggesting an unfinished composition. For instance, in "Menuetto I", only the first violin and cello/double bass parts are completed; the second violin and viola parts in their entirety in this movement are editorial additions.

Since K. 17 is now believed not to be by W. A. Mozart, the Neue Mozart-Ausgabe does not include this symphony as part of its edition.

References

  1. For the attribution to Leopold Mozart, see Stanley Sadie, The New Grove Mozart (New York: Norton, 1983), p. 197 (Mozart work list). ISBN 0-393-30084-6.
  2. Sadie, p. 197.
  3. The parentheses are around the tempo designation "Andante" in the score of the symphony.
  4. See the score linked below.

External links

Wolfgang Amadeus Mozart
Biography
Music
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Related
Symphonies by Wolfgang Amadeus Mozart
Unnumbered
Numbered
Adapted from serenades
Lost
  • Symphonies of doubtful authenticity.
  • No. 2 now attributed to Leopold Mozart.
  • No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation).
  • Symphonies generally agreed to be spurious today, but included in either the old or new complete editions.
  • No. 37 now attributed to Michael Haydn, except for the slow introduction which Mozart added.
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