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Symphony No. 12 (Mozart)

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(Redirected from K. 75b) 1771 symphony by W. A. Mozart
Mozart

Symphony No. 12 in G major, K. 110/75b, by Wolfgang Amadeus Mozart, was composed in Salzburg in the summer of 1771. The symphony was apparently prepared in anticipation of Mozart's second Italian journey, which was to take place between August and December 1771. The symphony is in four movements, the opening allegro being the longest movement that Mozart had written to that date. It is the first of a group of works "painted on a larger canvas and achieving a greater individuality than his earlier exuberant pieces".

Movements and instrumentation

The instrumentation is: strings, 2 oboes, 2 horns in G, 2 flutes, 2 bassoons, continuo.


\relative c' {
  \tempo "Allegro"
  \key g \major
  \time 3/4
  g4\f b' c |
  d4. e8 d4 |
  g,,4 c' d |
  e4. f8 e4 |
  g,,4 b' c |
  d8( g) g( b) b( d) |
  d2
}
  1. Allegro,
    4
  2. Andante,
    2
  3. Menuetto and Trio,
    4
  4. Allegro,
    4

The minuet features a canon between high and low strings at the interval of a single bar. Mozart likely learned this technique from Joseph Haydn's 23rd Symphony from 1764 (also in G major).

Performance details

There are no confirmed details as to first performance. It is possible that this symphony was first played at a concert in Milan, on 22 or 23 November 1771. This concert may also have seen the premiere of Mozart's 13th symphony.

References

  1. ^ Zaslaw, pp. 209–12
  2. Kenyon, p. 156
  3. H. C. Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976-) v. 1, Haydn: the Early Years, 1732-1765

Sources

External links

Wolfgang Amadeus Mozart
Biography
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Related
Symphonies by Wolfgang Amadeus Mozart
Unnumbered
Numbered
Adapted from serenades
Lost
  • Symphonies of doubtful authenticity.
  • No. 2 now attributed to Leopold Mozart.
  • No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation).
  • Symphonies generally agreed to be spurious today, but included in either the old or new complete editions.
  • No. 37 now attributed to Michael Haydn, except for the slow introduction which Mozart added.
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